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Franz Liszt e la sua musica nel cinema,
Lucca, LIM 2014,
XXIV-520 pp.
PRESENTATION:
RadioTre
Suite, February 8 2015, radio broadcast with Riccardo Giagni and
Luigi Verdi
Bologna, Fondazione Istituto Liszt (November 2 2015)
Roma, Accademia d'Ungheria, Istituto Balassi (November
11 2015),
with
Flavio Colusso, Maurizio D'Alessandro,
Rossana Dalmonte, Roberto Giuliani and
Johann Herczog
Genova, Conservatorio di musica "Niccolò Paganini" (November 20
2015), with Tiziana
Canfori and Aldo Viganò,
within
Tre virtuosi a Genova:
Liszt, Paganini e Sivori
Bologna, Conservatorio di
musica "G.B Martini" (May 19 2016), con Rossana Dalmonte e Annarosa Vannoni,
nell'ambito della manifestazione Una musica a Sette facce, Musichepagine
Reviews:
Amadeus, XXVII, 5, maggio 2015 (Piero Mioli)
Colonne sonore.net, 24 agosto 2015 (Roberto
Pugliese)
Musica, giugno 2015 (Benedetto Ciranna)
Quaderni dell'Istituto Liszt, 15, 2015
(Roberto Calabretto)
L'informazione bibliografica, Il Mulino,
3, luglio-settembre 2016, pp. 661-662
(Giuseppe Rausa)

Liszt is famous both for his music and for his romantic life, full of unexpected
turns and of adventure; this altogether has contributed towards his being a
protagonist, also in terms of ‘gossip’. Even when he was alive, a rich,
sometimes satirical iconography used to go with him. It is natural for such a
personality to have been the focus of such attention in the movies, somehow
anticipating some aspects of the star system. In fact, because of the
various situations in his life, he has been one of the most portrayed musicians
in films. His personality has inspired the movies especially since the 1930s,
with the coming of sound. Since then, there have been about ten films about his
life, and another thirty where Liszt features as a secondary character, or he
acts as other composers’ ‘support’.
There are at least three hundred films
featuring Liszt’s music in the soundtrack. All these documents allow us to
outline the appeal of Liszt’s music in popular culture. However, even if the
presence of Liszt’s music in the movies is not so different from the use of
other ‘classical’ composers’ music, Liszt’s music is extremely cinematographic
as, in an exemplary way, it allows symbolic translations which go beyond a
simple decorative or descriptive use, and which often become an integral part of
the narration in a direct, indirect, explicit or allusive way. Franz Liszt’s
life and music ultimately provide the opportunity to develop a more general
analysis upon musical biographical films and upon the use of classical music not
only in the cinema, but also on TV and in cartoons.
INDICE
Introduzione
Liszt personaggio cinematografico
Lisztiana Liszt e Chopin Liszt e Wagner Liszt e Schumann Liszt e gli altri
Liszt deus ex-machina Comparsate (in)verosimili
Franz Liszt: musica e immagine
Cinema e televisione Cartoni animati
Elenco dei film in ordine cronologico Film con Franz Liszt Film con musiche di Franz Liszt
Abstract: Franz Liszt in the movies
Indice delle composizioni nei film Indice dei film con Franz Liszt Indice di episodi biografici salienti
Bibliografia sintetica
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